‘I made another origami crane!’ I announced, presenting the paper bird to Shana a little in the manner of a cat bringing its owner yet another dead shrew. Shana took the crane, clearly admiring the well-creased folds, the paper’s crisp texture, and the mirror-image phone numbers that had just appeared all over her fingers as she inspected my handiwork. Yes, one of us had forgotten that my origami projects at the moment are all done on discarded telephone directories and that, like the pages of the popular British tabloid press, the print sometimes rubs off.
‘Only another 998 to go,’ I offered. Traditionally, if you make a thousand origami cranes you get to make a special wish. The ancient Chinese or Japanese (or maybe both) believed cranes were a symbol of luck and your wish would thus be granted.
I wondered if it would still work if I only made twenty cranes, then took a picture and photoshopped it to make it look like a thousand. Hollywood film directors do this kind of thing all the time, paying half a dozen extras and then using CGI effects to make them look like the Mongol horde–never a good idea in a lavish production of Pride and Prejudice, but hey! it’s Hollywood so at the end of the day it’s all about getting bums on seats.
Anyhow, just because the ancient Japanese/Chinese/Burmese/etc-ese didn’t have image manipulation software, doesn’t mean we should have to do without modern technology. But maybe the old Oriental gods don’t see it that way. Another nine hundred dratted birds to fold then. Ho hum.
Am I allowed to take on temporary staff? No, thought not. Forget I mentioned it.





